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Joaquín Torres García (28 July 1874 – 8 August 1949) was an Uruguayan / Spanish artist born in Montevideo, Uruguay on July 28, 1874. As an adolescent he emigrated to Catalunya, Spain where he initiated his career as an artist in 1891. A ‘renaissance or universal man’; painter, sculptor, muralist, novelist, writer, teacher and theorist. He dealt the eternal dilemma between the old and the modern, the classical and the avant-garde, reason and feeling, figuration and abstraction with a simple and brilliant metaphor: there is no contradiction or incompatibility. Like Goethe, he seeks the integration between classicism and modernity. He is known for his collaboration with Gaudi in 1903 on the stained glass windows for the Palma Cathedral and the Sagrada Família. His art is associated with archaic universal cultures; Mediterranean cultural traditions, Noucentisme, and Modern Classicism. He developed a unique style first described as ‘Art Constructif’ while living in Paris’ 1930's. Arte Constructivo (Constructive Art), a school he opened in Madrid, will be continued as Universalismo Constructivo (Universal Constructivism), a treaty he published in South-America while teaching through his workshop schools “Asociación de Arte Constructivo” (Constructive Art Association) and ‘El Taller Torres-Garcia’. A unique style encompassing classic/archaic traditions with XX century's isms: Cubism, Dada, Neo plasticism, Primitivisme, Surrealism, Abstraction.

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Joaquín Torres García (28 July 1874 – 8 August 1949) was an Uruguayan / Spanish artist born in Montevideo, Uruguay on July 28, 1874. As an adolescent he emigrated to Catalunya, Spain where he initiated his career as an artist in 1891.  A ‘renaissance or universal man’; painter, sculptor, muralist, novelist, writer, teacher and theorist. He dealt the eternal dilemma between the old and the modern, the classical and the avant-garde, reason and feeling, figuration and abstraction with a simple and brilliant metaphor: there is no contradiction or incompatibility. Like Goethe, he seeks the integration between classicism and modernity.

 

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He is known for his collaboration with Gaudi in 1903 on the stained glass windows for the Palma Cathedral and the Sagrada Família. His art is associated with archaic universal cultures; Mediterranean cultural traditions, Noucentisme, and Modern Classicism. He developed a unique style first described as ‘Art Constructif’ while living in Paris’ 1930's. Arte Constructivo (Constructive Art), a school he opened in Madrid, will be continued as Universalismo Constructivo (Universal Constructivism), a treaty he published in South-America while teaching through his workshop schools “Asociación de Arte Constructivo” (Constructive Art Association) and ‘El Taller Torres-Garcia’. A unique style encompassing classic/archaic traditions with XX century's isms: Cubism, Dada, Neo plasticism, Primitivisme, Surrealism, Abstraction.

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